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Forthcoming 2024: Genesis Báez
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Katherine Hubbard The great room opens at Company Gallery
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John Edmonds at Art Basel Miami Beach
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FRIEZE reviews Tuesday or September of The End
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TIME names "Hello Future" one of their 20 Best Photobooks of 2021
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Hello Future shortlisted for Aperture-Paris Photo Photobook of the Year 2021
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Tuesday or September of The End Reading with The Poetry Project
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The Städelschule hosts Tiona Nekkia McClodden Lecture, featuring works from Se Te Subió El Santo
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The New York Times reviews John Edmonds’ solo exhibition at the Brooklyn Museum
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Tiona Nekkia McClodden wins Bucksbaum Award - 2019 Whitney Biennial
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The Paris Review profiles John Edmonds
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THEM reviews Truant: Photographs, 1970–1979
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Women’s Wear Daily celebrates TOM launch
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Electronic Arts Intermix & Capricious host Ellen Cantor: “I’m Still Coming” Coming To Power 2016 & 1996 release event at the New York Art Book Fair 2017
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Humble Arts Foundation interviews Caitlin Teal Price in celebration of her Stranger Lives release
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Dazed Digital features Hustlers and Discharge
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Dazed Digital reviews Hustlers
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MoMA and Girls Against God host afternoon of Performance hosted by Vaginal Davis
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Dazed Digital interviews Skye Parrott and features artworks from First Love, Last Rites
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Forthcoming 2024: Roberto Tondopó
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Sasha Phyars Burgess selected as 2023 Guggenheim Fellow
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Jonathan Lyndon Chase, FOG at Company Gallery
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Bomb Magazine Interviews Hannah Black
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ARTnews names Hello Future on their “Best Art Books of 2021” list
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Cultured Magazine features Hello Future “Fall's Best Art Books Present Art History Fresh Off the Presses”
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British Journal of Photography reviews Hello Future
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The Brooklyn Rail reviews wild wild Wild West / Haunting of the Seahorse
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ARTnews hosts panel Picturing Herstory: Queer Artists on Lesbian Visibility
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The New York Times highlights works from Quiet Storm
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Elephant Magazine reviews Truant: Photographs, 1970–1979
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ArtForum features TOM release
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Hyperallergic reviews Shade The King
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The Heavy Collective interviews Caitlin Teal Pricee
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i-D features Caitlin Teal Price
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Discharge book signing at The Standard Miami
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Vogue interviews Petra Collins
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Randy presents Sunday Session at PS1 MoMA featuring performances by Niv Acosta, boychild, Colin Self, a reading by Jess Arndt and animation by Meriem Bennani.
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"I Have A Room With Everything" profiled in The New Yorker
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NEW: a slight cast down at the edges of the lips by Katherine Hubbard
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Cultured Magazine includes Tuesday or September or The End for their “12 Books That Captivated the Art World This Year”
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The Paris Review reviews Tuesday or September of The End by Hannah Black
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Tuesday or September of The End Release
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Untitled by Sasha Phyars Burgess wins Aperture-Paris Photo Photobook of the Year 2021
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The Washington Post reviews exhibition featuring Stranger Lives by Caitlin Teal Price
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British Journal of Photography reviews Untitled
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The Guardian features Untitled
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Artnet highlights John Edmonds’ contribution to the 2019 Whitney Biennial, including images from Higher
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Paper Magazine features Higher
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Dazed Digital features works from Quiet Storm
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The Cut reviews Sylvia Prada's TOM
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Lambda Literary reviews Mucus in My Pineal Gland
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Out Magazine announces and reviews Mucus in My Pineal Gland, featuring interview excerpts
The Kitchen hosts reading of Say Bye to Reason and Hi to Everything
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Advocate reviews Hustlers and features artworks
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The CUT interviews Petra Collins
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