CONNEXT 2022

The prolific Flemish doc producer Diplodokus attends CONNEXT with two series projects, the 4-part work-in-progress DNA, about the ongoing genetic revolution, and the completed 3-part series Catching the Pirate King which looks at how Belgian police became involved in the apprehension of leading Somalian pirates and helped put them on trial. Both series are co-directed by Maarten and Lennart Stuyck, who talks to BDE.

Jazz and Cold War politics are intimately entwined in Flemish director Johan Grimonprez’s latest doc feature, Soundtrack to a Coup d’Etat, a work-in-progress at CONNEXT. The film explores the circumstances which led to musicians Abbey Lincoln and Max Roach staging their own protest at the UN against the murder of Congolese leader, Patrice Lumumba. The director talks to BDE.

Indian Kinshuk Surjan’s new project tells a story that is tragic and appalling on both personal and wider societal levels. The film concerns the hundreds of thousands of suicides by farmers in the Indian subcontinent which have resulted from legislation that has, effectively, made them economic slaves to large corporations. But as the director explained to Business Doc Europe, the widows left behind are fighting back…

The title says it all on Pieter Van Eecke’s new project. “There is no Plan B. There is no Planet B,” he explained to Business Doc Europe of his film about two teenage kids, Bo and Lina, who take up the fight against climate change. “I think the urgency with which we should act now is incredibly high. And I think it's also my task as a filmmaker.”

Flemish DJ and filmmaker Pascal Garnier remembers vividly the circumstances in which he first watched the Dutch-made 1986 music documentary Big Fun In The Big Town, which featured artists like Grandmaster Flash, LL Cool J and Run-DMC. As a teenager looking for his own “thing and identity,” he was strongly influenced by the film’s “direct and intimate view of what it was like in New York back then,” he tells BDE.

Aldine Reinink talks to Business Doc Europe about her new film, a profile of renowned Belgian photographer Herman Selleslags, whose vast Antwerp house teems with the ghosts of 20th Century pop culture, as captured by his camera. But the multiplicity of images also conceals two psychologically complex father-son relationships which have defined life in the Selleslags household, the director reveals.

Flemish producer Kristian Van der Heyden, who is also part of the Ji.hlava Emerging Producers programme in 2022, came to Antwerp to present his project about modern day slavery. “This is not about history. It is about an island in Indonesia where an overlooked traditional culture has kept alive this element of slavery for centuries until today,” he told the professional audience.

With the striking vista of volcano Katla looming large and ominously over the Icelandic village of Vík í Mýrdal, the town’s inhabitants have developed a relationship with the potentially dangerous volcano and set about using it as a lure for tourists, creating a source of considerable prosperity. The problem is that an eruption is way overdue. Or maybe that’s why the tourists are there in the first place…

An elegant and insightful blend of childlike art, music and observation helps elevate Vida Dena’s documentary My Paper Life (Ma vie en papier) to something rather special, and helps deliver a thoughtful and warm look into the thoughts, memories and present-day realities for a Syrian family who have escaped the war and are now living in Belgium.

The stereotype of the climate activist is of an Extinction Rebellion-style protester, dressed like an old hippy, holding up the traffic in a busy city centre or blockading the petrol pumps. Roger Cox, the protagonist of Nic Balthazar’s new film Duty Of Care, screening online at CONNEXT 2022, is in a very different mould. The director explains how to Business Doc Europe.