Harry Stradling: Difference between revisions

Stradling moved back to the [[United States]] at the beginning of [[World War II]]. [[Alfred Hitchcock]] engaged him for ''[[Jamaica Inn (film)|Jamaica Inn]]'' (1939), ''[[Mr. & Mrs. Smith (1941 film)|Mr. & Mrs. Smith]]'' (1941) and ''[[Suspicion]]'' (1941). After that time, he was in great demand and worked steadily on such films as ''[[The Men in Her Life]]'' (1941), ''[[Her Cardboard Lover]]'' (1942), ''[[White Cargo]]'' (1942), ''[[The Human Comedy (film)|The Human Comedy]]'' (1943) ''[[List of adaptations of The Picture of Dorian Gray|The Picture of Dorian Gray]]'' (1945), ''[[Song of Love (film)|Song of Love]]'' (1947), ''[[The Pirate]]'' (1948), ''[[Easter Parade (1948 film)|Easter Parade]]'' (1948), ''[[Words and Music (1948 film)|Words and Music]]'' (1948), ''[[The Barkleys of Broadway]]'' (1949), ''[[In the Good Old Summertime]]'' (1949), ''[[A Streetcar Named Desire (1951 film)|A Streetcar Named Desire]]'' (1951), ''[[Johnny Guitar]]'' (1954), ''[[Guys and Dolls (film)|Guys and Dolls]]'' (1955), ''[[A Face in the Crowd (film)|A Face in the Crowd]]'' (1957), ''[[Marjorie Morningstar (film)|Marjorie Morningstar]]'' (1958), ''[[Auntie Mame]]'' (1958), ''[[Gypsy (1962 film)|Gypsy]]'' (1962), ''[[My Fair Lady (film)|My Fair Lady]]'' (1964), ''[[Funny Girl (film)|Funny Girl]]'' (1968), ''[[Hello, Dolly! (film)|Hello, Dolly!]]'' (1969), ''[[On a Clear Day You Can See Forever (film)|On a Clear Day You Can See Forever]]'' (1970), and ''[[The Owl and the Pussycat (film)|The Owl and the Pussycat]]'' (1970), his last film.

Stradling's last four films starred [[Barbra Streisand]]. During his career, he photographed [[Marlene Dietrich]], [[Vivien Leigh]], [[Katharine Hepburn]], [[Audrey Hepburn]], [[Jean Simmons]], [[Hedy Lamarr]], [[Rosalind Russell]], [[Kim Novak]] and [[Judy Garland]].