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| name = Pop Goes the Easel| |
| name = Pop Goes the Easel| |
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| image = Popgoestheease35l.JPG |
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| caption = The Stooges were not professionally known as "The Three Stooges" when this film was released as they were billed by their individual names |
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| director = [[Del Lord]] | |
| director = [[Del Lord]] | |
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| writer = [[Felix Adler (screenwriter)|Felix Adler]] | |
| writer = [[Felix Adler (screenwriter)|Felix Adler]] | |
Revision as of 21:20, 23 October 2013
Pop Goes the Easel | |
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The Stooges were not professionally known as "The Three Stooges" when this film was released as they were billed by their individual names | |
Directed by | Del Lord |
Written by | Felix Adler |
Produced by | Jules White |
Starring | Moe Howard Larry Fine Curly Howard Bobby Burns Phyllis Crane Joan Howard Maurer Phyllis Fine William Irving |
Cinematography | Henry Freulich |
Edited by | James Sweeney |
Distributed by | Columbia Pictures |
Release date | March 29, 1935 |
Running time | 18' 17" |
Country | United States |
Language | English |
Pop Goes the Easel is the seventh short subject starring American slapstick comedy team The Three Stooges. The trio made a total of 190 shorts for Columbia Pictures between 1934 and 1959.
Plot
The onset of the Great Depression has forced the Stooges to look for jobs. However, they are mistaken as thieves and soon find themselves on the run from the police. With a cop chasing them, they flee into an art school where they are mistaken for students. They take their first art lessons while hiding from the police, resulting in a climactic clay fight that takes no prisoners. The film ends when three art students break sculptures over the boys' heads, resulting in them being soundly beaten up.
Production notes
Pop Goes the Easel marks several Stooge firsts:
- Moe holding out his hand to Curly and asks him to "pick out two" fingers. Curly does, and Moe pokes him in the eyes with them. This would be a recurring joke. In addition, the short contains a very rare scene in which Moe delivers a slap in the face to several people at once. At the end of the clay fight scene, Moe stops everyone and asks "who started this?!" Larry yells "YOU did!", to which Moe angrily replies "oh YEAH?!" and, with right hand extended, spins in a counter-clockwise motion, slapping everyone around him.[1]
- a clay throwing fight, a precursor to the classic pie fights which would become a staple of the Stooge films. The first genuine pie fight would appear the following year in Slippery Silks.[1]
- Moe holding out his fist to Curly and says, "See that?" When Curly replies, "Yeah," he smacks the fist dismissively, in which it swings in a circle behind Moe's body, over his head, and bops Curly on the head with it.[1]
- Curly dressing in drag, a gag that would be revisited in several later Stooge shorts, such as Uncivil Warriors, Movie Maniacs, Matri-Phony, Micro-Phonies and Uncivil War Birds.[1]
The title of the film Pop Goes the Easel is a pun on the nursery rhyme "Pop Goes the Weasel," which is used for the one and only time as the opening theme.[1] The film also ends with the tune, as with the ending of Punch Drunks.[1]
The two girls playing hopscotch on the sidewalk are Larry Fine's daughter, Phyllis (who died in 1989 at age 60) and Moe Howard's daughter, Joan.[1]
A colorized version of Pop Goes the Easel was released in 2006 as part of the DVD collection entitled "Stooges on the Run".[2]
References
- ^ a b c d e f g Solomon, Jon (2002). The Complete Three Stooges: The Official Filmography and Three Stooges Companion. Comedy III Productions, Inc. pp. 49–61. ISBN 0-9711868-0-4.
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(help) - ^ Stooges on the Run