Page:Above the battle.djvu/38: Difference between revisions
m maintenance |
|||
Page status | Page status | ||
- | + | ||
Header (noinclude): | Header (noinclude): | ||
Line 1: | Line 1: | ||
{{c|Above the Battle }} |
|||
Page body (to be transcluded): | Page body (to be transcluded): | ||
Line 1: | Line 1: | ||
Above the Battle |
|||
that she reforms herself, and her greatest geniuses |
that she reforms herself, and her greatest geniuses |
||
are sons of sorrow. |
are sons of sorrow. |
||
September 1914. |
September 1914. |
||
** |
** |
||
Since these lines were written I have watched |
Since these lines were written I have watched |
||
Line 14: | Line 12: | ||
under by a stubborn effort to believe the bad |
under by a stubborn effort to believe the bad |
||
arguments collected by their Government to |
arguments collected by their Government to |
||
oppose |
oppose fabricated to prove that |
||
Belgium had renounced her neutrality herself, |
Belgium had renounced her neutrality herself, |
||
false allegations (in vain repudiated four times |
false allegations (in vain repudiated four times |
||
by the French Government, by the Commander- |
by the French Government, by the Commander- |
||
⚫ | |||
in-Chief, by the Cardinal and the Archbishop, |
|||
⚫ | |||
French of using the Cathedral of Rheims for |
French of using the Cathedral of Rheims for |
||
military purposes. Lacking arguments, their |
military purposes. Lacking arguments, their |
||
system of defence is at times disconcerting in |
system of defence is at times disconcerting in |
||
its |
its . |
||
" |
"Is it possible," they say, " that we should |
||
be accused of wishing to destroy artistic |
be accused of wishing to destroy artistic |
||
ments, we, the people above all others who |
|||
venerate art, in whom is instilled this respect |
venerate art, in whom is instilled this respect |
||
from infancy, who have the greatest number of |
from infancy, who have the greatest number of |
||
text books and historical collections of art and |
text books and historical collections of art and |
||
the longest list of lectures on aesthetics? Is it |
the longest list of lectures on aesthetics? Is it |
||
�� |
|||
� |
|||
Footer (noinclude): | Footer (noinclude): | ||
Line 1: | Line 1: | ||
{{c|34}} |
|||
<references/> |
<references/> |
Revision as of 19:51, 26 January 2014
Above the Battle
that she reforms herself, and her greatest geniuses are sons of sorrow.
September 1914.
***
Since these lines were written I have watched the birth of the anxiety which little by little is making its way into the consciences of the good people of Germany. First a secret doubt, kept under by a stubborn effort to believe the bad arguments collected by their Government to oppose it—documents fabricated to prove that Belgium had renounced her neutrality herself, false allegations (in vain repudiated four times by the French Government, by the Commander-in-Chief, by the Cardinal and the Archbishop, and by the Mayor of Rheims)—accusing the French of using the Cathedral of Rheims for military purposes. Lacking arguments, their system of defence is at times disconcerting in its naïveté.
"Is it possible," they say, " that we should be accused of wishing to destroy artistic monuments, we, the people above all others who venerate art, in whom is instilled this respect from infancy, who have the greatest number of text books and historical collections of art and
the longest list of lectures on aesthetics? Is it
34