Keegan W

Keegan W Patron

Favorite films

  • He Got Game
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  • The Wages of Fear
  • Memories of Murder

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  • Angel

    ★★★

  • The Bounty

    ★★★½

  • The Man Who Knew Too Much

    ★★★

  • Problemista

    ★★

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  • Civil War

    Civil War

    ★★★★

    “Someone’s trying to kill us. We are trying to kill them.”

    Visceral, propulsive, and upsetting. A film about the horrors of war and the breakdown of communication. 

    “Civil War” is certainly provocative, but not in the way you might expect. Garland doesn’t necessarily parse his film’s political mythology, much less the real contemporary landscape of American politics. He extricates the audience from the baggage of reality; it’s surprisingly alleviating, if not perhaps a little cowardly. 

    I am concerned that people…

  • Furiosa: A Mad Max Saga

    Furiosa: A Mad Max Saga

    ★★★★½

    “There must be retribution.”

    Furiosa, darkest of angels. Fifth rider of the apocalypse.

    Any tempered expectations I may have had going into this film have since been wrangled, quartered, and shattered beneath the tires of a motorcycle-drawn chariot. In other words, enshrine it in Valhalla. “Furiosa” delivers. 

    Propulsive, irreverent, subversive. Astoundingly ambitious. An engine running on unbridled horsepower with a perverse sense of humanity. It’s also explosive. Very, very explosive.

    There is no world builder like George Miller. He is…

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  • Angel

    Angel

    ★★★

    “Remind me never to get murdered!”

    The poster for this movie makes it look like you’re about to watch “The Parent Trap” or “Mary-Kate and Ashley Take on Hollywood.” This is very much not that kind of movie. 

    “Angel” is a pulpy exploitation film about a necrophiliac killer who stalks prostitutes in Los Angeles. More importantly it’s about identity, sexuality, family, and gratuitous 1980s nudity. I elected to check this out after discovering it’s an enormous influence on this year’s…

  • The Bounty

    The Bounty

    ★★★½

    “I, sir, am Commander! By law! I am the first!”

    Seemingly lost to obscurity, “The Bounty” is a seafaring costume drama starring Anthony Hopkins, Mel Gibson, Daniel-Day-Lewis, Liam Neeson, and Laurence Olivier.

    Originally intended as a David Lean vehicle, “The Bounty” wound up in Roger Donaldson’s hands and became an evidently forgettable feature despite the prowess of its cast.

    “The Bounty” is far too long, and at times outright boring, but this is a quality film. It’s carried by a…

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  • Longlegs

    Longlegs

    ★★★½

    “Happy birthday to you!”

    “Longlegs” is as disquieting as it is bewildering. And yet as it drifted in and out of logical coherence, I found myself thoroughly enjoying most every minute of the film. 

    The reason it worked for me is not because I found the performances to be profound transformations that demand celebration; it certainly wasn’t because I found the twists and turns to be particularly gratifying or shocking.

    The reason it worked for me is kind of boring…

  • The Man Who Knew Too Much

    The Man Who Knew Too Much

    ★★★

    “From which no traveler returns.”

    I find few films as comforting as the early Hitchcock collection. They’re like old paperbacks you’d find at your grandparents’ house, the kind with swashbuckling cover illustrations, never more than 150 pages, leafed through and handed over by at least three generations of readers. 

    “The Man Who Knew Too Much” (1934), which celebrates its ninetieth anniversary this year, is perhaps the earliest film in the unofficial Hitchcock canon (maybe “The Lodger” for the psychos), before…