Anonymous

Did you know that eating chocolate can help your heart, that singing can give you a natural 'high' and that having more houseplants can boost your productivity and brain power? Dr Michael Mosley unearths a range of Just One Things, whose impacts are so surprising and intriguing you will be desperate to try them out. He chats to experts, road tests all his tips and even enlists the help of some special guests to help you find that one small thing that could really make a difference to how you feel every day.

When 14-year-old Zoe Johnson doesn't come home on a Monday night in early December, the alarm bells in Kings Lake Central police station do not ring straight away - after all, she's from the Dockmills, one of the toughest estates in the town. But for Detective Sergeant DC Smith, due to retire in just three weeks' time, there are some strange echoes of the case that has haunted him for the past 13 years. Maybe it's simply his over-developed sense of irony, or maybe, in his final days as a police officer, Smith must look once more into the eyes of a serial killer.

When another resident of the Rosemary House care home is found dead in her chair one Saturday evening in December, no one is very surprised - not until the results of a routine post-mortem reveal something extraordinary. Sergeant DC Smith and his team have to tread carefully as they investigate what took place, and Smith himself has to confront some difficult memories. Others, meanwhile, seem intent on getting him to leave the force altogether.

In the sandy Mojave Desert, Madison is a small town on the road between nothing and nowhere. But Eldon wouldn't want to live anywhere else because in Madison, everyone gets one wish - and that wish always comes true. Some people wish for money; some people wish for love. But Eldon has seen how wishes have broken the people around him. And with the lives of his family and friends in chaos, he's left with more questions than answers. Can he make their lives better?

Winner of the Pulitzer Prize for Fiction, 2007.
America is a barren landscape of smoldering ashes, devoid of life except for those people still struggling to scratch out some type of existence. Amidst this destruction, a father and his young son walk, always toward the coast, but with no real understanding that circumstances will improve once they arrive. Still, they persevere, and their relationship comes to represent goodness in a world of utter devastation.

Cormac McCarthy, best-selling author of National Book Award winner All the Pretty Horses, delivers his first new novel in seven years. Written in muscular prose, No Country for Old Men is a powerful tale of the West that moves at a blistering pace.

With DS Manolis on leave in Greece, Senior Constable Sparrow receives a phone call from a man who wants to turn himself in. Bob is sixty years old, confined to a Perth nursing home. But thirty years ago, he killed a man in the remote northern Kimberley mining region. He offers to show Sparrow where the body is, but there's a catch: Sparrow must travel north with him under the guise of being his carer.

Fleeing a disastrous marriage, Helen Huntingdon retreats to the desolate mansion, Wildfell Hall, with her son, Arthur. There, she makes her living as a painter. Finding it difficult to avoid her neighbors, she is soon an object of speculation and gossip. Brontë portrays Helen's eloquent struggle for independence at a time when society defined a married woman as her husband's property.

A dead river. A dying town. A killer's secrets.... In an isolated country town ravaged by drought, a charismatic young priest opens fire on his congregation, killing five men before being shot dead himself. A year later, journalist Martin Scarsden arrives in Riversend to write a feature on the anniversary of the tragedy. But the stories he hears from the locals don't fit with the accepted version of events. Just as Martin believes he is making headway, a shocking discovery rocks the town.

Adam Turner works the mid-dawn shift at his local radio station. From 12am to 6am, it’s his job to fill the airtime with old songs, inane chatter, and the occasional talkback caller. It’s a long way from his prime-time slot from over a decade ago, when he was a star in the making. Now there’s no producers, no billboards, no stakes, and not many listeners. His frequent callers are drunk students headed home from a night out, or long-range truck drivers. He is completely alone in the studio from midnight until dawn every night. And then one night at 12:45am, he gets a different kind of call.