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![Review: THE WITCHING HOUR, Bridewell Theatre Photo](https://cdn.statically.io/img/www.broadwayworld.com/data:image/svg+xml,%3Csvg%20xmlns=%22http://www.w3.org/2000/svg%22%20width=%22300%22%20height=%22300%22%3E%3C/svg%3E)
Review: THE WITCHING HOUR, Bridewell TheatreIt’s haunted by a script that’s as creaky as the house investigated by the characters, but it’s captivating enough here and there. After a fascinating lecture held by Professor Dubois, Erin sets off to find out why people keep disappearing at Torhill Wood. The plot, initially propped up by rationality, becomes sillier and sillier as it winds down. There are plenty of delicious jump-scares alongside valid theories, namely how the witch-hunts were a byproduct of the weaponisation of ignorance as a tool for oppression and control. The conversation at the heart is enthralling, but the interesting turns are, unfortunately, engulfed by more subpar material.
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![BRITAINS GOT TALENT Winner Sydnie Christmas Releases Starlight Express Photo](https://cdn.statically.io/img/www.broadwayworld.com/data:image/svg+xml,%3Csvg%20xmlns=%22http://www.w3.org/2000/svg%22%20width=%22300%22%20height=%22300%22%3E%3C/svg%3E)
BRITAIN'S GOT TALENT Winner Sydnie Christmas Releases 'Starlight Express'Sydnie Christmas, the winner of Britain’s Got Talent 2024, releases her single ‘Starlight Express’ ahead of her upcoming album titled ‘My Way’ on September 20th and her ‘My Way Tour’ in October. The track was inspired by Andrew Lloyd Webber’s iconic musical following its recent return to London.
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![Review: FIRST NIGHT OF THE PROMS 2024, Royal Albert Hall Photo](https://cdn.statically.io/img/www.broadwayworld.com/data:image/svg+xml,%3Csvg%20xmlns=%22http://www.w3.org/2000/svg%22%20width=%22300%22%20height=%22300%22%3E%3C/svg%3E)
Review: FIRST NIGHT OF THE PROMS 2024, Royal Albert HallUnlike the Last Night of the Proms, which has developed its own mythology and status (thanks to the traditions that surround it), the First Night of the Proms is not bound by any particular structure or the need to play any specific pieces; there’s a freedom to it that spills out into the audience, eager for the new season to get underway.
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![Video: Rhea Norwood Performs Maybe This Time From CABARET Photo](https://cdn.statically.io/img/www.broadwayworld.com/data:image/svg+xml,%3Csvg%20xmlns=%22http://www.w3.org/2000/svg%22%20width=%22300%22%20height=%22300%22%3E%3C/svg%3E)