Embassy of Australia, United States of America’s Post

Art is a way of life. Some people are artists, and some are art themselves. This world we live in is a pure work of art by the creator. It’s so precise that even a slight mistake would’ve made humanity cease to exist or the universe itself. The Ancient world speaks for itself. With their marvellous architecture and design. India is the only country that made chains from stone and carved them into many remarkable temples and monuments. The Taj Mahal, for instance, is made of pure marble stone and still, it stands tall as a beauty an eye can’t miss. But there is art that sours the essence of it. Contemporary Art, also known as ‘modern art’ an art with no soul. Master after master continued to inspire many generations with their work of what’s truly attainable. But in the 20th century, something awful occurred. The profound, the inspiring and the beautiful were replaced by the new, the different and the ugly. Today the silly and the pointless are upheld as the best modern art. When there are so many talented and gifted people who remain true to their art, why have the standards fallen so low? Like others before me, I would argue, how do we objectively measure, what is beautiful and what is ugly? What is high quality and what is low quality? What are art and not art? A stroke on a canvas may sound delightful in literature but when it comes to art, a simple line is just not an art at all. Anything that doesn’t have a soul is not art at all. It’s dead. In recent times the standards of artists have been lost or very broken. They are not nurtured properly to ascend to the art realm. They lack a master of values and morals. What’s even worse today is, that this soulless art is sold at big time in auctions and presented in art museums. Now who is to blame, the so-called artist with dead art or the buyer with no sense for art? It’s very painful to see a world that was once beautiful to be blindly washed away in the name of contemporary art. If you look at Victorian-era houses and castles and compare them with today’s houses and buildings, you’ll see the haunting ghost. Artists of today’s era who hold value are not praised and recognised well but the best thing about them is that they don’t give up and remain true to their art by helping the world in some or another way. Hence it’s about time see and say the truth and to kill contemporary art because the Earth is already filled with enough crap.

Works of art, whether they are paintings, sculptures, or antique objects, represent not only cultural heritage but also valuable artistic creations that we aim to preserve for future generations. One of the most critical aspects of caring for them is controlling humidity. In this article, we will explore why humidity control plays a pivotal role in the preservation of works of art and what measures can be taken to maintain it. Why Humidity Control is Important Preventing Damage: High humidity can be detrimental to works of art. It contributes to the growth of mold, rot, and corrosion, which can cause significant damage to both the surfaces and the internal structures of art objects. Preserving Material Integrity: Humidity control helps preserve the integrity of the materials used in works of art. Paints, wood, textiles, and other materials can degrade when exposed to significant humidity fluctuations. Maintaining Stability: Stable humidity conditions help prevent the expansion and contraction of materials, which can lead to deformation, cracks, and warping. Measures for Humidity Control Use of Humidifiers and Dehumidifiers: Installing humidifiers and dehumidifiers in the environment can help maintain optimal humidity levels. Humidifiers add moisture to dry conditions, while dehumidifiers remove excess moisture in humid conditions. Monitoring Humidity Levels: Regularly measure the humidity level in the environment using a hygrometer. This will allow you to track changes and respond promptly. Specialized Storage: If you have valuable works of art, consider storing them in specialized climate-controlled facilities where humidity and temperature conditions are strictly regulated. Regular Maintenance and Restoration: Conduct regular maintenance on works of art and, when necessary, undertake restoration. This can help prevent and address damage caused by humidity fluctuations. Humidity control is an integral part of caring for works of art. By maintaining optimal humidity levels, you help preserve the beauty and value of these unique artistic treasures, ensuring their longevity for future generations to appreciate and enjoy.

Tectonic Gothic - art exhibition, Titus Schade The contemporary visual artist Titus Schade, a native of Leipzig, is currently the subject of the first-ever exhibition outside Germany devoted solely to his work, now taking place under the title ‘Tektonik’ in neighbouring Luxembourg, at the Konschthal gallery in Esch-sur-Alzette: https://lnkd.in/eUFxzJFb For the rest of this text plus images, see: https://lnkd.in/e557AUwt The exhibition consists of 70 works, executed over the last fifteen years. There is an informative accompanying booklet with several essays by experts. The majority of Schade’s canvases are what might be called architectural fantasy in the line of De Chirico, foregrounding buildings empty of human life. Among the diverse images are: apartment blocks; angular, gabled half-timbered houses; vertical churchlike structures; empty warehouses; and sinister windmills, one of them a 3D model. All these and more form a built-up scenario, fitfully illuminated by light sources in the shape of moons, bonfires or candles. Schade’s spatial world is free of all direct human presence. Indeed, it is all but free of any living things whatever (there are no animals or birds), except for a single recurring motif of pointed, slim green trees. Schade’s imaginary space may be perceived as uncanny, or else viewed as postapocalyptic – as the exhibition title might suggest, the product of a civilizational tectonic shift. There are no vehicles, nothing in motion; the candles and bonfires suggest that someone is needed to light and survey them, but if post-disaster there are new masters of the universe, nowhere is it indicated who they are. There are images of (male) human beings, mostly rather archaic-looking - but these are painted heads or murals, and not a single full human body is represented. The dominant colours are grey and brown - suitably melancholy - tempered by the occasional red, green or blue. There are possible literary analogies. The enigmatic windmills may recall the Quijote; there are tall metallic structures resembling the Martians of H.G. Wells’ The War of the Worlds. The deserted urban space might remind Narnia devotees of Charn, the dead city from which C.S. Lewis’ evil witch originates. The artist’s very forename could recall another fantasy chef-d’oeuvre, Mervyn Peake’s neo-Gothic Titus Groan trilogy and its dark oneiric architecture, though Titus is a German name and any connection may be fortuitous. (...)

#innovation   Francis MBELLA, exhibition in CHATEAUVILLAIN, in the Haute-Marne region of France Through Francis MBELLA's approach, this exhibition translates what the forest arouses to become an organ of nature's transmission. He turns it into a landscape, a Party. The components and effects of the forest are the products of nature: rain, water, mud, sand, light, shade, materials, branches, reflections, colors, silence, stones, courtyards, architecture, trees, leaves... Inventor of the "Tapioca Technique", where reality is transfigured by émotions and subjectivity, and creator of movement: "the reflections of color" Francis MBELLA is a visual artist of subjective hues and reliefs. An alumnus of the École Nationale Supérieure des Beaux-Arts de Paris, he has held over 300 solo exhibitions and conferences worldwide. Chevalier des Arts et Lettres and Médaillé du Cercle des Arts de Paris, he was awarded the Mérite culturel de la Ville de Paris in 1990 by Jacques CHIRAC, then Mayor of Paris, and the Mérite culturel de l'Etat de Californie (USA) in 1994 in Sacramento by the then Governor Peter BARTON WILSON. He was awarded the same distinction at the UN (United Nations Organization) in Geneva in 2004 by its Director General, Sergeï ORDZHONIKIDZE ; Francis MBELLA distinguishes himself by his technique; indeed, color and relief are creative forces for him. Color works matter, it is a true activity of matter, it lives from a constant exchange of forces between matter and light. Thus, through the fatality of primitive dreams, Francis MBELLA renews the cosmic dreams that bind man to the elements, to fire, water and celestial air, to the prodigious materiality of earthly substances. From then on, for him, color has depth, it has thickness, it develops both in a dimension of intimacy and in a dimension of exuberance. He likes to link opposites. He prefers fusions, effusions and agreements to exclusions and ostracisms. His aim is to combine an intense taste for spontaneity with a desire to construct and organize the painted surface: "What arises spontaneously," he says, "finds its order of construction in the architecture of my paintings. This exhibition is touring. For cities and cultural institutions interested, please contact Art Reflex International: (+33) 1 40 18 44 79 or send an e-mail to: artreflex19@yahoo.com Stéphanie CARTIER P/O Art Reflex International 

Richard Long - Gallery Museum Richard Long is one of the best-known British land artists. He explores the boundaries of art through the materials used and the location of his pieces. Long is known for his 240-mile walk that took 8 days to simply find a handful of perfect locations to create his natural sculptures. His passion for exploration guides his artistic abilities and inspires him to create his minimally invasive marks on the land. Long has broadened the definition of sculpture within the world of art. Project Concept: Follow the imperfect path. In the gallery museum, you will find that the visitor is offered different paths to take which lead you to different mediums of art. The exterior path guides the visitor along the journey of his photography. The interior path guides the visitor through Long's mud paintings and stone sculpture that offers a place to sit, allowing the visitor to admire his conceptual art. Lastly, the third path guides the visitor upstairs to an interactive area that captures the medium of performance art. Concept Diagrams: Asymmetry - Long uses natural materials from the Earth the build his work. The objects he finds are imperfect shapes. Rigid materials are used in the design to capture the imperfections of nature. Transformation of Form - Long transforms natural Earth elements into beautiful pieces of art, which are later engulfed by the surrounding nature. This is reflected in the mezzanine where interactive activities are located. These objects push, pull, or spin, meaning they will always be changing and transforming. Radial Repetition - Long has an eye for circles, they have always been the focus of his work. "I can make circles of words, I can make circles of stones, I can make a circle of mud with my hands on a wall, I can walk in a circle for one hundred miles."

💎💎💎💎💎💎💎💎💎💎💎💎💎💎💎 . #LUXURYART #Note: * I’ve 19 years of schooling, no master's, doctorates,MBA…etc, instead I work on "continuous fire"⚠️. See my page. Everything you need is written there. ---------------------------- ♦️. It seems that in recent decades, financial analysts can talk more about traditional fine art—painting and sculpture—than critics or aesthetes; they began to change their mindsets: art galleries and critics, as well as a large number of artists, challenged not just a classical style, technique or manner, but even the ability of old media: oil, stone, cast metal . . . as support of innovation. ♦️. In waw galleries and fairs, paintings have been replaced by canvases torn with a knife or by variations on the mirror concept, the subject has moved into the canvas, into the frame, or out of the picture, and the old canons and gnoses strive to meet Dechamp's minimum condition: that the work of art has a title. #CONCLUSION: ♦️. Of the several million painters who exist in our years (as opposed to a few thousand in the classical period), a small number manage to place themselves at the intersection of classical and contemporary—if we even have true contemporary art, and not just chronologically contemporary. #IMPORTANT : Fine art is not a trade that can be learned. Art requires super talent. Here I am talking about the artist born with grace from God, I am not talking about a passion that can be discovered in life. Not. An artist, is su no. Being an artist - in any field of art, requires total dedication, continuous work in discovering new means of expression, including - technique. In art, you work without breaks. - Pablo Picasso said: "the idea comes, but you have to find yourself at the easel." So, dear graduates of art universities : work , work continuously ! ---------------------------- #PS: All these mini essays written here over time, are the result of a careful analysis of over 4 years. ---------------------------- 🎯. I would like to thank you: Harvard University Rania Nakhle Jesus Oana Maria Balas Carina Hellmich Mieke van der welle Brighida P. Ingrid Vets Diana Coatu Dr. ARUN K. SHUKLA Petronela Dragan LeeAnna Stock-Luoma RD, LD, CD, CDCES Maria Giovanna Musa 後藤 GUY SCHWARTZ Priscilla B. Gérard BASSET Dr. Janet Palmer ~Author~ Marie-Therese Sahade Marian Grigore Régis Ouellet Roxann Litzau Sašo Petrovčič ARADHANA KHANDAR Alicja R. Stefan Moore Serkan Sezen joanna . Stefan Moore talisha mcdaniel #culture #art #artwork #artgallery #innovation #contemporaryart #fineart #România #linkedincommunity #artcolector #love #fashion #pleaseshare #care #connections

ITALY AND VISUAL ARTS When we talk about visual art types, various types of visual arts such as painting, sculpture, architecture and graphic arts come to mind. I have always wondered why Italy has become the center of visual arts. And why have very successful works emerged on this subject? During the Renaissance, Italian artists developed a new understanding of art by reinterpreting the ideals of ancient art. This understanding brought to the fore a more realistic approach to nature and the human figure. The most important Italian artists of the Renaissance period include Leonardo da Vinci, Michelangelo, Raphael and Donatello. The works of these artists are still considered one of the most valuable works of art in the world today. Sculpture: Sculpture in Italy has been an important form of art since ancient times. During the Renaissance, sculptors such as Michelangelo, Donatello and Bernini produced works containing idealized depictions of the human figure. Architecture: Architecture in Italy has developed since ancient times. During the Renaissance, architects such as Filippo Brunelleschi and Leon Battista Alberti produced works that reinterpreted the ideals of ancient Roman architecture. Graphic arts: Graphic arts in Italy began to develop in the 15th century. During this period, artists such as Marcantonio Raimondi and Andrea Mantegna produced works using techniques such as engraving and printing. Probably this is the secret of success and wealth: 1. Historical and cultural richness: Italy hosted the ancient Roman and Greek civilizations. Artifacts from these civilizations have been a source of inspiration for Italian artists. 2. Geopolitical location: Italy is located at the intersection of Europe, Asia and Africa. This situation has made Italy a country influenced by different cultures. 3. Economic prosperity: Italy has been a wealthy country since the Middle Ages. This allowed artists to receive training and support their work. 4. Art-loving patrons: In Italy, there have been rich and powerful families who supported the development of art. These families patronized artists and ensured that their works reached wider audiences. 5. Most importantly, it has experienced complete freedom in terms of visual arts, and even, unlike the Islamic world, it has been supported and financed by even religious authorities, from paganism to Christianity. The combination of these factors has led to the flowering of art in Italy and its transformation into a cultural wealth recognized worldwide. Italy today Italy continues to be an important center of visual arts today. The country has the world's most famous art museums and galleries. Additionally, numerous arts festivals and events are held in Italy every year. Italy's rich heritage in visual art is an important part of the country's cultural identity.

Do you know why this urinal is considered an art?🎨 It's not just a piece of art, it's a piece of history and revolution. This is Marcel Duchamp's infamous "Fountain".⛲ If you're into art and graphic design, you've GOT TO KNOW about this. The way you design at the moment might have been the influence of the urinal. Here are the reasons this bizarre art form is LEGENDARY. 1. Revolutionary Idea💡 -New Concept: Duchamp introduced the idea of the "readymade," where an everyday object is turned into art simply because the artist says it is. This was a brand-new way of thinking about art. -Focus on Idea: Instead of focusing on traditional skills like painting or sculpting, Duchamp emphasized the artist’s idea. "Fountain" is art because Duchamp decided it was and presented it as such. 2. Challenging Traditions💪 -Breaking Rules: By using a urinal, Duchamp challenged what people traditionally thought art should be—beautiful, handmade, and skillfully crafted. -Humor and Irony: "Fountain" was also a joke, poking fun at the serious art world and its conventions. Duchamp showed that art could be playful and provocative. 3. Institutional Critique🧐 -Critique of Art World: Duchamp submitted "Fountain" to an art exhibition that promised to accept all works. When it was rejected, he exposed how the art world wasn’t as open-minded as it claimed to be. -Context Matters: Duchamp demonstrated that putting an object in an art gallery changes how we see it. In an art context, even a urinal becomes art. 4. Influence on Future Art🦾 -Foundation for Modern Art: "Fountain" paved the way for modern and contemporary art by showing that art can be about ideas, not just about making things. It influenced many future artists and movements. -Ongoing Debates: The questions "Fountain" raised about what makes something art are still relevant today, making it a crucial piece in art history. To conclude, Duchamp’s "Fountain" is considered art because it challenged traditional ideas, emphasized the artist’s concept, critiqued the art world, and influenced future art movements. It transformed an ordinary urinal into a groundbreaking piece of art by making people think differently about what art can be. #Dadaism #Art #GraphicDesign #Design #Marketing #MarketingAgency

🌸 The Artistic Blossoming of Flowers in Canvas Discover the resilience and splendor of flowers as expressed in art! In today's artistic exploration, we immerse ourselves in the remarkable resilience and natural elegance depicted in floral art. Join us in celebrating the fusion of nature’s beauty and artistic expression. 🌺 🌟 Artist Highlight: We're thrilled to showcase the work of Catarina Diaz, a phenomenal artist who masterfully portrays resilience and the splendor of nature. Her work, 'Resilience in bloom - pозквіт стійкості', beautifully symbolises the endurance of nature and the human spirit. 📚 Artistic Insights: Floral art has captivated artists throughout history, from the ancient Egyptians to the Dutch masters of the 17th century. Flowers have long been emblematic of emotions like love, life, and regeneration. Contemporary artists like Catarina Diaz continue this legacy, infusing fresh perspectives and personal flair into the timeless subject of flowers. 🧐 Curatorial Musings: As an art curator, I am continually enchanted by artists who harness nature’s allure, especially in how they connect it to human emotions. The profound impact of a single flower, evoking powerful sentiments and symbolising our inner resilience, is what makes artworks like Catarina's so profound and timeless. 💫 Artistic Symbolism: Ever pondered the unique symbolism of different flowers in art? Roses, for example, often symbolise love and fervor, whereas daffodils represent rebirth and new beginnings. Next time you admire a floral painting, delve into the deeper meanings each flower conveys! 🌹 www.heiartgallery.com

HBL ART presents a special video on our acclaimed artist Teo San Jose from Spain! A much-feted and an award-winning sculptor, Teo San Jose was born in Valladolid, Spain and has been felicitated globally, receiving multiple accolades for his profound, stunning and unique artistic creations. Indeed he currently manifests his sculptures in his atelier, located in the cities of Córdoba and Denia. As far as his academic trajectory is concerned, he pursued Engineering studies at the Universities of Valladolid and Madrid. Subsequently, his artistic journey was initiated with his deep involvement in sculptural projects linked to the popular architecture of Valladolid, as well as simultaneously conducting various workshops on myriad aspects of sculpture, ceramics, as well as the artistic application of mechanical engineering. Most significantly, he is responsible for the conception of official and self-funded programmes on art and education in Spain and Mexico. Furthermore, his works form part of public and private collections in Spain, France, Mexico, China, and the United Kingdom. When we open our eyes, minds, and perceptions to sculpture, we enter into an intimate space, a path that leads us to the emptiness of the mind to touch our deepest being. It is not necessary to understand, only to feel the life that the work of art has. It is a profound and personal experience. Teo San José, also known as Sculptor of Poems, creates a sculptural work that arises from his desire to create dialogue spaces. His public and private works manifest a clear intention to intervene in people's daily lives by creating calm, serenity and peace. Instead of being trapped in standardized exhibitions, his works generate a seminal impact by finding their own places, diverse spaces and subsequently resonate with their own viewers. Tension as a dynamic balance between concepts permeates all aspects of San José's work. He uses a language which is far from representation. As a result, sculptures emerge where matter and emptiness not only give shape to space, but also penetrate it to create new emotional and physical places: sculptural poems. Teo San Jose reiterates: "My sculptural work is developed from the desire to create spaces for dialogue. It is necessary to work from the dialogue as a form to achieve an expression of serenity. The public and monumental work that I carry out has a strong intention to intervene in people's daily lives. In my case, the sculptures do not wait in the standard exhibition spaces; On the contrary, they are the ones that go out to meet their own place and its spectators... Emptiness and matter complement each other, changing our eyes, making new interpretations, always staying in motion... The essential idea that my work moves within the scope of a dynamic and peaceful art at the same time, becomes increasingly important. Attreyee Roy Chowdhury Senior Vice President HBL ART Henningson Black Level-HBL Mumbai, India Tel & WhatsApp:+91 9920856673