Richard Jordan

The UK’s creative industries could take a lesson in future-proofing the sector from Romania’s inspirational international theatre festival

A new revival of a classic musical does not necessarily mean the original work needs to be rewritten or ‘fixed’ to succeed today

Criticism is frequently levied over the long lists of producers’ names now so frequently appearing on productions. But the reality is that this has become a necessity that is not going to change

The arrest of award-winning Russian theatremakers is designed to frighten their local peers. The West needs to make sure it raises greater public awareness over their plights – and freedom of speech

As Jerry’s Girls receive critic plaudits and Hello, Dolly! prepares for a revival, it’s time to recall why Jerry Herman’s historic musicals are as important today as they ever were

Star-driven shows may sell out, but they don’t always work if the lead performer and the material are poorly matched. In the case of Romeo and Juliet starring Tom Holland, the pair make good bedfellows

Understanding and respecting musicals from the past, however outdated they may feel today, is a crucial part of driving the art form forward

Whether you like it or not, networking is crucial for career development; the fringe festivals where this happens are seedbeds of opportunity and need proper funding

Providing an infrastructure for new voices empowers writers and allows their work to connect with audiences. If theatre simply plays it safe, where will the defining works of the future come from?

With solo shows finding favour with audiences and critics, producers should seize the chance to enjoy the economic benefits and explore ways of extending this beyond the West End