Doclisboa '23

In International Comp, the City of Lisbon Award went to la tierra los altares by Sofía Peypoch (Mexico). The RTP International Comp Jury Award was awarded to the Belgian production Terril, by Jorn Plucieniczak. In Portuguese Comp, the HBO Max Award for Best Film went to As Melusinas à Margem do Rio by Melanie Pereira, while the Sociedade Portuguesa de Autores Award was handed to Memories of a Perfect Day by Davina-Maria El Khoury.

The upcoming Doclisboa will screen 250 films from 42 countries, including 35 world premieres and 39 Portuguese films. This year's International Competition includes selections from 16 countries and features 6 world premieres. Of the 39 Portuguese films in this year's edition, nine are in Portuguese Competition, 7 of which are world premieres. “The films reveal the pulse of the world and those who inhabit it,” the festival writes of this year’s programme.

In his new film, Nôs Dança (a world premiere earlier this week in Doclisboa’s Heartbeat section) Rui Lopes da Silva accompanies his friend, dancer and choreographer António Tavares, on an epic journey across the Cape Verde islands. “The idea of the film began at a New Year’s party at the house of a friend. During that night, we danced all the styles of dance of Cape Verde,” the director tells BDE.

Fest director Miguel Ribeiro talks to Business Doc Europe about the upcoming edition of Doclisboa which presents 250 films from 42 countries, including 35 world premieres and 39 Portuguese films. “We see documentary as a way to employ the tools of cinema to take us on a quest of discovery. And for this, you need to have freedom for production, and freedom to think, to question and to reflect.” The festival opens October 19 with Wang Bing's Man in Black and closes with Leonor Teles’ Baan.

UK doccer Marc Isaacs talks to Business Doc Europe about his multi-layered new film set in the sleepy British town of Thaxted. It’s a film that involves ghosts and Morris dancing and a Chinese filmmaker visiting the town to find to the subject of her next film. “I was already thinking about Englishness, mythology and the way that the country over the last few years has desperately been trying to solidify some sense of itself,” Isaacs reflects.

Prolific Canadian filmmaker Olivier Godin’s documentary shows visual artist and choreographer Adam Kinner and his dancers at work recreating the 1957 ballet work Suite Canadienne. “I had never done a documentary before. I thought, OK, let’s try things,” Godin tells BDE of his freewheeling approach to the task. It helped that Kinner gave the director ‘carte blanche’ to approach the film in any way he saw fit.

The winners of Doclisboa’s Arché and Nebulae pitch awards were announced October 22. For its ninth edition, Arché gathered film projects from 10 countries around the globe, including Brazil, Argentina and Colombia. The eight Nebulae Award competitors were all produced or co-produced in Finland, the guest country for this edition.

The new feature documentary Fire In The Mud unfolds in Unal, a rice producing village in Guinea-Bissau where the elders still have strong memories of the colonial war, lasting from 1963 to1974, in which the country fought for its independence from Portugal. But for the village’s youth, matters are somewhat different. “To them, the war was like a narrative from the past, like a fairy tale, a violent one, but really lost in the past,” Barroca tells BDE.

The new documentary chronicles the protests, sit-ins and strikes of workers in southern Spain as they face up to the prospect that they might be laid off. When she began filming, director Rodríguez made it clear to the strikers that she wasn’t a journalist working on a piece of reportage. She was a documentary maker making a film about the “convulsive changes” of the late industrial era, she tells BDE.