The Social Dilemma is a 2020 American docudrama film directed by Jeff Orlowski and written by Orlowski, Davis Coombe, and Vickie Curtis. The documentary covers the negative social effects of social media and is interspersed by a dramatized narrative surrounding a family of five who are increasingly affected by problematic social media use.

The Social Dilemma
Promotional poster
Directed byJeff Orlowski
Written by
Produced byLarissa Rhodes
Starring
Cinematography
  • John Behrens
  • Jonathan Pope
Edited byDavis Coombe
Music byMark A. Crawford
Production
companies
  • Exposure Labs
  • Argent Pictures
  • The Space Program
Distributed byNetflix
Release dates
  • January 26, 2020 (2020-01-26) (Sundance)
  • September 9, 2020 (2020-09-09) (United States)
Running time
94 minutes
CountryUnited States
LanguageEnglish

The Social Dilemma premiered at the 2020 Sundance Film Festival, on January 26, 2020, and was released on Netflix on September 9, 2020, during the COVID-19 pandemic. It received mostly positive reviews from critics, who praised its message and use of interviews with established tech experts but criticized the narrative and lack of nuance in addressing technological problems.

Synopsis

edit

The Social Dilemma covers the psychological underpinnings and manipulation techniques by which, it claims, social media and technology companies addict users. People's online activity is watched, tracked, and measured by these companies, who then use this data to build artificial intelligence models that predict the actions of their users. Tristan Harris, former Google design ethicist and co-founder of the Center for Humane Technology, explains in the documentary that there are three main goals of tech companies:

  1. The engagement goal: to increase usage and make sure users continue scrolling.
  2. The growth goal: to ensure users are coming back and inviting friends, who invite even more friends.
  3. The advertisement goal: to make sure that while the above two goals are happening, the companies are also making as much money as possible from advertisements.

Harris summed this up with the warning: "If you're not paying for the product, you are the product", paraphrasing earlier insights from Television Delivers People, Tom Johnson, and Andrew Lewis.[1]

Another interviewee, Jonathan Haidt, a social psychologist at NYU Stern School of Business, brings up the concerns of mental health in relation to social media.

The film also discusses the dangers of fake news. Harris argues that this is a "disinformation-for-profit business model" and that companies make more money by allowing "unregulated messages to reach anyone for the best price".

In the end credits, the interviewees propose ways the audience can take action to fight back, such as turning off notifications, never accepting recommended videos on YouTube, using search engines that do not retain search history, and establishing rules in the house on cell phone usage.

Narrative

edit

The documentary uses a fictional dramatized narrative to illustrate the issues discussed, centering around "a middle-class, average American family"[2] whose members each interface with the internet differently: Ben, a teenage high school student who falls deeper into social media addiction and online radicalization; Isla, an adolescent who develops depression and low self-esteem from social media's unrealistic beauty standards;[3] Cassandra, an older teenager who does not have a mobile phone and is depicted as being free from online manipulation; and their mother and stepfather, who try to curb their children's screen time but do not fully understand the factors of the situation. The narrative depicts Ben and Isla as increasingly affected by social media and internet addictions, driven by the Engagement, Growth, and Advertisement AIs, represented by anthropomorphized tech executives in a "behind-the-screen" control room, who find ways to keep their users as addicted to social media as possible, while only viewing them as depersonalized avatars, with little concern for theirs or society's well-being.[2]

The narrative starts with Isla ignoring her mother's requests to set the table, followed by her increasingly becoming depressed after her appearance is criticized on social media. After Cassandra criticizes Isla and Ben's problematic smartphone use, their mother proposes locking everyone's phones in a safe so they can have dinner together, but when one phone receives a notification, Isla tries to open the safe and ultimately breaks it open with a tool, damaging Ben's phone screen. In return for a new phone screen, Ben promises his mother he will not use his phone for a week, but the AIs, confused as to why he is suddenly inactive, decide to draw him back in by sending him a notification that his ex has started a new relationship, prompting Ben to break his promise and doomscroll in an attempt to cope. The AIs, deducing he is a centrist, begin recommending him radical centrist views to keep him engaged, which quickly devolve into propaganda and conspiracy theories by the anti-democratic "Extreme Center" movement, radicalizing Ben and affecting his daily life to the point of near-isolation. Ultimately, Ben attends an Extreme Center rally that devolves into violence when similarly-radicalized counter-protestors arrive. Cassandra learns Ben is there and searches for him, but both are detained by riot police. At the end of the narrative, the AIs merge into one entity while Ben's avatar becomes a human representation of himself, and they stare at each other.[2]

Cast

edit

Interviewees

edit

Actors

edit

Narrative casting was led by Jenny Jue.[42]

Themes

edit

The Social Dilemma centers on the social and cultural impact of social media usage on regular users, with a focus on algorithmically enabled forms of behavior modification and psychological manipulation. The film depicts an array of related themes, including technological addiction, fake news, depression, and anxiety.[43]

One interviewee, Tim Kendall, a former director of Facebook, spoke up on the alarming goal of the company: updating the app with increased addictiveness for a consistent boost in engagement.[8] Another interviewee, Tristan Harris, former Google designer, compares the addiction level to a "Vegas slot machine" as users "check their phones hoping that they have a notification, as it's like they are pulling the lever of a slot machine hoping they hit the jackpot".[44]

Misinformation and fake news are commonly spread on social media, and users are unable to distinguish between fake and real news, resulting in differences in ideology and societal division. The immersion of users in this app, who are thus exposed to limitless information, according to Kendall, could potentially lead to tension within society.[8]

The Social Dilemma also discusses how social media can cause depression and give users anxiety. Jonathan Haidt, a social psychologist and author, highlights the influence of social media on depression and anxiety, especially in younger adolescents. The documentary reports statistics on depression, self-harm, and suicide leading to hospitalization, specifically in American teen girls, resulting from social media use. The number of hospitalizations remained stable until around 2011 and rose a significant 62 percent in older teen girls (ages 15–19) and up 189 percent in younger teen girls (ages 10–14) since 2009 in the US. The same pattern is shown in the rates of suicide, which had increased 70 percent in older teen girls and 151 percent in younger teen girls compared to 2001–2010. According to Haidt's interview, people born after 1996 have grown up in a society where social media usage is the norm, thus resulting in consistent exposure to overwhelming content from a young age.

Production

edit

Inspiration

edit

Jeff Orlowski, who is mostly known for his work in Chasing Coral and Chasing Ice, began production on The Social Dilemma in 2018 and concluded it in 2019. When asked where his inspiration came from during the film's panel at Deadline Hollywood's Contenders Documentary event, Orlowski said that he has "always been curious about big systemic and societal challenges".[45] He came to believe that "invisibly, a handful of designers in Silicon Valley are writing code that is shaping the lives of billions of people around the planet".[45]

Orlowski, on the film's FAQ page, states:[46]

We were drawn to tell the stories of our changing glaciers and changing coral reefs because they were powerful signs of a huge global issue facing humanity: climate change. When we started talking with Tristan Harris and the Center for Humane Technology, we saw a direct parallel between the threat posed by the fossil fuel industry and the threat posed by our technology platforms. Harris calls this "the climate change of culture", an invisible force that is shaping how the world gets its information and understands truth. Our hope has always been to work on big issues, and we now see the "social dilemma" as a problem beneath all our other problems.

The film's graphics, animation, and visual effects were made by Mass FX Media and produced by Netflix.[47]

Soundtrack

edit

The film's music is composed by Mark Crawford, "a Primetime Emmy-nominated composer and filmmaker" who was nominated for an ASCAP Award for his work on The Social Dilemma.[48] With the use of "human-produced" and mechanical sounds, as Crawford explained in The Social Dilemma interview, he displayed the alarming impacts of social media through this soundtrack.[49]

No.TitleLength
1."Logos"0:34
2."A Totally Normal World"2:31
3."Am I Really That Bad"0:49
4."Server Room"3:45
5."A Call to Arms"2:00
6."Manipulated"2:28
7."Magic Tricks"1:49
8."Hooked in the Classroom"1:09
9."Growth Hacking"1:44
10."Programmed at a Deeper Level"1:29
11."Addicted"1:44
12."Kitchen Safe"0:53
13."Family Dinner"0:57
14."The Kids Are Not Alright"0:34
15."The Bet"1:12
16."Perceptions of Beauty"2:22
17."Theremin Lullaby"1:30
18."Time Offline"0:53
19."Hominid Brains"2:12
20."The AIs Are Losing"0:39
21."Machine Learning"1:33
22."Late Night Snack"0:52
23."Checkmate Humanity"1:49
24."The Sliding Scale"2:51
25."Exponential Hearsay"3:54
26."Myanmar"3:09
27."Caught in the Crowd"4:37
28."Rapid Degration of Society"3:16
29."Senate Hearing"5:00
30."Justin Drops the Mic"4:02
31."Shut It Down"3:09
32."Welcome to the Drum Machine"2:02
33."I Put a Spell on You"2:53
Total length:60:10

Release

edit

The Social Dilemma premiered at the 2020 Sundance Film Festival on January 26, 2020, and was released worldwide on Netflix on September 9, 2020.[50] The documentary went on to be viewed in 38,000,000 homes within the first 28 days of release.[51] It won two awards out of seven nominations at the 73rd Primetime Creative Arts Emmy Awards in 2021.[52]

The film is approximately 94 minutes long and can only be accessed on Netflix. However, a free 40-minute version can be viewed by requesting it through the film's official webpage.[53]

Reception

edit

Critical response

edit

The Social Dilemma received generally positive reviews. On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 85%, based on 66 reviews, with an average rating of 7.2/10. The website's critics consensus reads, "Clear-eyed and comprehensive, The Social Dilemma presents a sobering analysis of our data-mined present."[54] On Metacritic, the film has a weighted average score of 78 out of 100, based on nine critics, indicating "generally favorable reviews".[55]

Devika Girish from The New York Times gave the film a positive review, stating it was "remarkably effective in sounding the alarm about the incursion of data mining and manipulative technology into our social lives and beyond".[56] Mark Kennedy of ABC News called the film "an eye-opening look into the way social media is designed to create addiction and manipulate our behaviour, told by some of the very people who supervised the systems at places like Facebook, Google, and Twitter".[57] Nell Minow of RogerEbert.com noted that the film "asks fundamental and existential questions" of humanity's potential self-destruction through its own use of computer technology, and praised its "exceptional" use of confessions from leaders and key players in the social media industry.[58]

Elizabeth Pankova of The New Republic noted "none of the information in the film is particularly new" but argued what made The Social Dilemma effective was "the purveyors of this information: the remorseful, self-aware warriors turned conscientious objectors of Silicon Valley".[59] Pranav Malhotra of Slate stated the film "plays up well-worn dystopian narratives surrounding technology" and "depend[s] on tired (and not helpful) tropes about technology as the sole cause of harm, especially to children", while also failing to acknowledge activists and commentators who have long criticized social media, citing scholars such as Safiya Noble, Sarah T. Roberts, and Siva Vaidhyanathan.[60] In an analysis of the film's persuasive techniques, Laura Alvarez Trigo of PopMecC stated, "The Social Dilemma manages to construct a Manichean narrative with a very elusive and misconstrued evil side" but pointed to the film's own resemblance to the propaganda and manipulation it criticizes, stating the film could have benefited from "providing the audience with the necessary tools to engage with the platforms that they use in a more critical way" and "a nuanced explanation of the present ethical problems [to] help people benefit from new technologies without having to completely shut them down or ban them for their teenage children".[2]

Notable criticism was directed toward the fictional narrative surrounding the family and the AIs. Casey Newton at The Verge pointed to certain directorial decisions, such as "the ominous piano score that persuades every scene" as giving it "the feeling of camp".[61] Nell Minow stated that "even the wonderfully talented Skyler Gisondo cannot make a sequence work where he plays a teenager seduced by extremist disinformation, and the scenes with Vincent Kartheiser embodying the formulas that fight our efforts to pay attention to anything outside of the online world are just silly."[58] Pranav Malhotra called the narratives an "uncritical" presentation of a dystopia lacking nuance.[60] In a rare defense of the film's oft-denounced dramatizations, John Naughton of The Guardian commented on the narrative's focus, stating that "the fictional strand is necessary because the biggest difficulty facing critics of an industry that treats users as lab rats is that of explaining to the rats what's happening to them while they are continually diverted by the treats (in this case dopamine highs) being delivered by the smartphones that the experimenters control."[62]

Industry response

edit

Facebook released a statement on its About page, stating that the film "gives a distorted view of how social media platforms work to create a convenient scapegoat for what are difficult and complex societal problems".[63]

CNBC reported that social media users were doubting if they should continue using Facebook or Instagram after watching The Social Dilemma. However, when asked about the possibility of a decline in its users, Facebook refused to answer or give any comment on the subject.[64]

Mozilla employees Ashley Boyd and Audrey Hingle noted that while the "making, release and popularity of The Social Dilemma represents a major milestone towards [the goal of] building a movement of internet users who understand social media's impact and who demand better from platforms", the film would have benefited from featuring more diverse voices.[65]

Accolades

edit
Award Date of ceremony Category Recipient(s) Result Ref.
ACE Eddie Awards April 17, 2021 Best Edited Documentary (Feature) Davis Coombe Nominated [66]
ASCAP Screen Music Awards May 17, 2021 TV documentary Score of the Year Mark A. Crawford Nominated [67]
British Academy Film Awards April 11, 2021 Best Documentary Jeff Orlowski and Larissa Rhodes Nominated [68]
BFE Cut Above Awards March 5, 2021 Best Edited Single Documentary or Non-Fiction Programme Davis Coombe Won [69]
Boulder International Film Festival March 8, 2020 Best Social Impact Film The Social Dilemma Won [70][71]
Chicago Film Critics Association Awards December 21, 2020 Best Documentary The Social Dilemma Nominated [72]
Cinema Audio Society Awards April 17, 2021 Outstanding Achievement in Sound Mixing for a Motion Picture – Documentary Mark A. Crawford, Scott R. Lewis, Mark Venezia, and Jason Butler Nominated [73]
Cinema Eye Honors Awards March 9, 2021 Audience Choice Prize The Social Dilemma Nominated [74]
Outstanding Achievement in Graphic Design or Animation Simon Barker, Matthew Poliquin, Matt Schultz, and Shawna Schultz Nominated
Critics' Choice Documentary Awards November 16, 2020 Best Documentary Feature The Social Dilemma Nominated [75]
Best Political Documentary The Social Dilemma Nominated
Motion Picture Sound Editors Golden Reel Awards April 16, 2021 Outstanding Achievement in Sound Editing – Feature Documentary Richard Gould, James Spencer, and Andrea Gard Nominated [76]
Primetime Emmy Awards September 12, 2021 Outstanding Documentary or Nonfiction Special Larissa Rhodes, Daniel Wright, and Stacey Piculell Nominated [52]
Outstanding Directing for a Documentary/Nonfiction Program Jeff Orlowski Nominated
Outstanding Writing for a Nonfiction Program Vickie Curtis, Davis Coombe, and Jeff Orlowski Won
Outstanding Cinematography for a Nonfiction Program John Behrens and Jonathan Pope Nominated
Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score) Mark A. Crawford Nominated
Outstanding Picture Editing for a Nonfiction Program Davis Coombe Won
Outstanding Sound Editing for a Nonfiction or Reality Program (Single or Multi-Camera) Richard Gould, James Spencer, and Andrea Gard Nominated
San Diego Film Critics Society Awards January 11, 2021 Best Documentary The Social Dilemma Runner-up [77]
St. Louis Film Critics Association Awards January 18, 2021 Best Documentary Film The Social Dilemma Nominated [78]
Webby Awards May 18, 2021 Advertising, Media & PR – Branded Content – Politics & Advocacy Exposure Labs Won [79]

See also

edit

References

edit
  1. ^ "You're Not the Customer; You're the Product – Quote Investigator®". Quote Investigator. July 16, 2017. Retrieved April 29, 2023.
  2. ^ a b c d Trigo, Laura Alvarez (June 8, 2021). "Special issue | The Dangers of Social Media as Told by The Social Dilemma". PopMeC Research Blog. Retrieved June 26, 2024.
  3. ^ Campbell, Denis (January 4, 2019). "Depression in girls linked to higher use of social media". The Guardian. Archived from the original on May 5, 2022. Retrieved May 20, 2022.
  4. ^ Orlowski, Jeff (September 9, 2020), The Social Dilemma (Documentary, Drama), Tristan Harris, Jeff Seibert, Bailey Richardson, Joe Toscano, Exposure Labs, Argent Pictures, The Space Program, archived from the original on October 28, 2020, retrieved October 28, 2020
  5. ^ "Tristan Harris: Do Our Devices Control More Than We Think?". NPR. Archived from the original on May 10, 2022. Retrieved May 2, 2022.
  6. ^ a b "About". Tristan Harris. Archived from the original on October 26, 2020. Retrieved October 28, 2020.
  7. ^ "Your Undivided Attention". www.ted.com. Archived from the original on May 22, 2022. Retrieved May 2, 2022.
  8. ^ a b c "Facebook's former director of monetization says Facebook intentionally made its product as addictive as cigarettes — and now he fears it could cause 'civil war'". Business Insider. Archived from the original on May 2, 2022. Retrieved May 2, 2022.
  9. ^ Fiegerman, Seth (March 1, 2019). "Meet the unlikely duo trying to save us from our screens | CNN Business". CNN. Archived from the original on May 28, 2022. Retrieved May 2, 2022.
  10. ^ "Book excerpt: Jaron Lanier's 'Ten Arguments for Deleting Your Social Media Accounts Right Now'". ABC News. June 19, 2018. Archived from the original on April 13, 2022. Retrieved April 13, 2022.
  11. ^ "Roger McNamee: "It's bigger than Facebook. This is a problem with the entire industry" – The Guardian". TheGuardian.com. February 16, 2019. Archived from the original on November 7, 2020. Retrieved December 8, 2020.
  12. ^ Bissell, Tom (January 29, 2019). "An Anti-Facebook Manifesto, by an Early Facebook Investor". The New York Times. ISSN 0362-4331. Archived from the original on February 9, 2021. Retrieved May 2, 2022.
  13. ^ Spark.me (May 4, 2017). "Aza Raskin". Spark.me. Archived from the original on February 17, 2020. Retrieved May 2, 2022.
  14. ^ "30 Under 30: Aza Raskin, Massive HealthInc.com". July 2, 2012. Archived from the original on December 2, 2020. Retrieved December 8, 2020.
  15. ^ "Social media apps are 'deliberately' addictive to users". BBC News. July 3, 2018. Archived from the original on September 14, 2022. Retrieved May 2, 2022.
  16. ^ "These 19 former Facebook employees are now leading some of the hottest enterprise tech startups". Business Insider. Archived from the original on December 6, 2022. Retrieved May 3, 2022.
  17. ^ Novet, Jordan (August 24, 2020). "Asana, business software company led by Facebook co-founder, files for direct listing". CNBC. Archived from the original on May 3, 2022. Retrieved May 3, 2022.
  18. ^ "Facebook co-founder Dustin Moskovitz unveils new company, Asana". LA Times Blogs – Technology. November 2, 2011. Archived from the original on January 29, 2021. Retrieved October 28, 2020.
  19. ^ Levick, Richard. ""Surveillance Capitalism": Monetizing Our Thoughts". Forbes. Archived from the original on May 14, 2022. Retrieved May 3, 2022.
  20. ^ Heath, Alex (December 2, 2016). "Twitter Hires New Product Chief in Unusual Way". Inc.com. Archived from the original on May 3, 2022. Retrieved May 3, 2022.
  21. ^ Perez, Sarah (November 6, 2019). "Stealth fintech startup Digits raises $10.5 million Series A from Benchmark and others". TechCrunch. Retrieved May 3, 2022.
  22. ^ Stone, Will. "Aspiring Doctors Seek Advanced Training in Addiction Medicine". NPR. Archived from the original on May 3, 2022. Retrieved May 3, 2022.
  23. ^ "Opinion | Social media is riskier for kids than 'screen time'". The Washington Post. ISSN 0190-8286. Archived from the original on March 7, 2022. Retrieved May 3, 2022.
  24. ^ Haidt, Jonathan. "Jonathan Haidt". The Atlantic. Archived from the original on May 25, 2022. Retrieved May 3, 2022.
  25. ^ "The Frontline Interview: Sandy Parakilas". FRONTLINE. Archived from the original on April 13, 2022. Retrieved May 3, 2022.
  26. ^ "Sandy Parakilas". www.wespeakers.ca. Archived from the original on March 31, 2023. Retrieved May 3, 2022.
  27. ^ Hannah Kuchler. "Apple recruits prominent Facebook critic for privacy team". The Irish Times. Archived from the original on December 10, 2022. Retrieved May 3, 2022.
  28. ^ "Weapons of Math Destruction: Cathy O'Neil adds up the damage of algorithms". The Guardian. October 27, 2016. Archived from the original on May 27, 2022. Retrieved May 3, 2022.
  29. ^ "Randy Fernando". www.wespeakers.ca. Archived from the original on March 31, 2023. Retrieved May 3, 2022.
  30. ^ "Joe Toscano". Simon & Schuster. Archived from the original on July 8, 2022. Retrieved May 3, 2022.
  31. ^ "Instagram only had 13 employees when it was bought by Facebook for $1 billion. A decade later, here's where they've all ended up". Business Insider. January 20, 2013. Archived from the original on May 3, 2022. Retrieved May 3, 2022.
  32. ^ "Rashida Richardson". Center for Critical Race and Digital Studies. July 16, 2019. Archived from the original on January 29, 2022. Retrieved May 3, 2022.
  33. ^ "Facial recognition gives police a powerful new tracking tool. It's also raising alarms". NBC News. July 30, 2018. Archived from the original on June 2, 2022. Retrieved May 3, 2022.
  34. ^ "Rashida Richardson | CV". Rashida Richardson. Archived from the original on May 17, 2022. Retrieved May 3, 2022.
  35. ^ "How an ex-YouTube insider investigated its secret algorithm". The Guardian. February 2, 2018. Archived from the original on May 25, 2022. Retrieved May 3, 2022.
  36. ^ DiResta, Renée. "Renée DiResta". The Atlantic. Archived from the original on May 16, 2022. Retrieved May 4, 2022.
  37. ^ "Facebook's First Human Rights Chief Seeks to Tame Digital Hate – BNN Bloomberg". BNN. January 28, 2020. Archived from the original on May 16, 2022. Retrieved May 4, 2022.
  38. ^ "Jack Dorsey confirms four more Twitter executives to leave company". The Guardian. January 25, 2016. Archived from the original on May 4, 2022. Retrieved May 4, 2022.
  39. ^ "Palm loses their Ex-Apple PR Head, Lynn Fox". TechCrunch. June 26, 2010. Retrieved May 4, 2022.
  40. ^ Weller, Chris. "A group of former Facebook and Apple employees are teaming up to warn kids about tech addiction". Business. Archived from the original on May 4, 2022. Retrieved May 4, 2022.
  41. ^ a b c d Palmer, Katie (September 17, 2020). "The Social Dilemma cast: Who is in the cast of The Social Dilemma documentary?". Express.co.uk. Archived from the original on May 7, 2022. Retrieved May 7, 2022.
  42. ^ a b Felperin, Leslie (January 27, 2020). "'The Social Dilemma': Film Review | Sundance 2020". The Hollywood Reporter. Archived from the original on May 26, 2022. Retrieved May 9, 2022.
  43. ^ "The Social Dilemma: Ethics of Technology and Its Impact on Public Health | NYU School of Global Public Health". publichealth.nyu.edu. Archived from the original on May 12, 2022. Retrieved May 4, 2022.
  44. ^ "3 Things We Learned About Social Media from Netflix's "The Social Dilemma"". Blackstone LaunchPad. November 2, 2020. Archived from the original on June 29, 2022. Retrieved May 11, 2022.
  45. ^ a b Carey, Matthew (January 10, 2021). "Director Jeff Orlowski Attacks Social Media Impact in 'The Social Dilemma': "We Live in the Matrix" – Contenders Documentary". Deadline. Archived from the original on May 27, 2022. Retrieved July 27, 2023.
  46. ^ "'The Social Dilemma' – FAQs". The Social Dilemma. Archived from the original on May 27, 2022. Retrieved July 27, 2023.
  47. ^ Philip Sledge (September 25, 2020). "What Is the Social Dilemma: 6 Things to Know About the Netflix Documentary Before You Watch". CINEMABLEND. Archived from the original on July 27, 2023. Retrieved July 27, 2023.
  48. ^ "Mark A. Crawford | Composer, Music Department, Sound Department". IMDb. Retrieved November 20, 2023.
  49. ^ "'The Social Dilemma' Soundtrack – Behind the Scenes". The Social Dilemma. February 11, 2021. Archived from the original on May 27, 2022. Retrieved May 15, 2022.
  50. ^ Ehrlich, David (January 29, 2020). "'The Social Dilemma' Review: A Horrifyingly Good Doc About How Social Media Will Kill Us All". IndieWire. Archived from the original on April 17, 2020. Retrieved September 12, 2020.
  51. ^ "Every Viewing Statistic Netflix Has Released So Far". What's on Netflix. February 28, 2021. Archived from the original on March 3, 2021. Retrieved February 28, 2021.
  52. ^ a b "The Social Dilemma". Television Academy. Archived from the original on January 3, 2022. Retrieved February 6, 2022.
  53. ^ "'The Social Dilemma' – FAQs". The Social Dilemma. Archived from the original on May 27, 2022. Retrieved May 26, 2022.
  54. ^ "The Social Dilemma (2020)". Rotten Tomatoes. Fandango. Archived from the original on September 13, 2020. Retrieved October 10, 2021.
  55. ^ "The Social Dilemma Reviews". Metacritic. Archived from the original on September 20, 2020. Retrieved September 14, 2020.
  56. ^ Girish, Devika (September 9, 2020). "'The Social Dilemma' Review: Unplug and Run". The New York Times. ISSN 0362-4331. Archived from the original on September 9, 2020. Retrieved November 9, 2022.
  57. ^ Kennedy, Mark (September 8, 2020). "Review: Put down that phone, urges doc 'The Social Dilemma'". ABC News. Archived from the original on September 16, 2020. Retrieved September 9, 2020.
  58. ^ a b Minow, Nell. "The Social Dilemma movie review (2020) | Roger Ebert". www.rogerebert.com/. Archived from the original on January 29, 2021. Retrieved November 9, 2022.
  59. ^ Pankova, Elizabeth (October 8, 2020). "The Social Dilemma and the Rise of the Clickbait Documentary". The New Republic. ISSN 0028-6583. Archived from the original on November 10, 2022. Retrieved November 10, 2022.
  60. ^ a b Malhotra, Pranav (December 8, 2020). "The Social Dilemma Fails to Tackle the Real Issues in Tech". Archived from the original on December 8, 2020. Retrieved December 8, 2020.
  61. ^ Newton, Casey (September 16, 2020). "What 'The Social Dilemma' misunderstands about social networks". The Verge. Vox Media. Archived from the original on October 11, 2021. Retrieved October 11, 2021.
  62. ^ "The Social Dilemma: a wake-up call for a world drunk on dopamine? | John Naughton". the Guardian. September 19, 2020. Archived from the original on November 11, 2022. Retrieved November 9, 2022.
  63. ^ "What 'The Social Dilemma' Gets Wrong" (PDF). fb.com. Archived (PDF) from the original on December 4, 2020. Retrieved December 7, 2020.
  64. ^ Shead, Sam (September 18, 2020). "Netflix documentary 'The Social Dilemma' prompts social media users to rethink Facebook, Instagram and others". CNBC. Archived from the original on November 10, 2022. Retrieved November 10, 2022.
  65. ^ Boyd, Ashley; Hingle, Audrey (September 30, 2020). "You watched 'The Social Dilemma.' Read these 11 books next". Fast Company. Archived from the original on November 29, 2020. Retrieved December 8, 2020.
  66. ^ Giardina, Carolyn (March 11, 2021). "Minari, Trial of the Chicago 7 Among American Cinema Editors' Eddie Awards Nominees". The Hollywood Reporter. Archived from the original on May 10, 2021. Retrieved February 6, 2022.
  67. ^ "2021 ASCAP Screen Music Awards". American Society of Composers, Authors and Publishers. May 17, 2021. Archived from the original on August 12, 2021. Retrieved February 6, 2022.
  68. ^ "2021 EE British Academy Film Awards: The Winners". British Academy of Film and Television Arts. March 9, 2021. Archived from the original on June 18, 2023. Retrieved February 6, 2022.
  69. ^ "The BFE Cut Above Awards". British Film Editors. Archived from the original on March 6, 2021. Retrieved February 6, 2022.
  70. ^ "2020 Awards". Boulder International Film Festival. Archived from the original on February 6, 2022. Retrieved February 6, 2022.
  71. ^ "Boulder International Film Festival 2020 Program" (PDF). Boulder International Film Festival. Archived (PDF) from the original on February 6, 2022. Retrieved February 6, 2022.
  72. ^ "Chloé Zhao's Nomadland Leads Chicago Film Critics Association 2020 Award Nominations". Chicago Film Critics Association. December 18, 2020. Archived from the original on December 18, 2020. Retrieved February 6, 2022.
  73. ^ Pederson, Erik (March 2, 2021). "CAS Awards Nominations: Trial of the Chicago 7, Sound of Metal & Mank Among Pics Vying for Sound Mixing Trophies". Deadline. Archived from the original on March 10, 2021. Retrieved February 6, 2022.
  74. ^ "Cinema Eye Unveils Full Slate of Nominees for 14th Annual Nonfiction Honors". Cinema Eye Honors. December 10, 2020. Archived from the original on December 10, 2020. Retrieved February 6, 2022.
  75. ^ Thompson, Anne (October 26, 2020). "Crip Camp, Gunda, and Mr. Soul! Lead Critics Choice Documentary Awards Nominations". IndieWire. Archived from the original on February 4, 2021. Retrieved February 6, 2022.
  76. ^ Pedersen, Erik (March 1, 2021). "Sound Editors Nominate Wonder Woman, Sound of Metal, Tenet & Others for Golden Reel Awards – Full List". Deadline. Archived from the original on March 28, 2021. Retrieved February 6, 2022.
  77. ^ "2020 San Diego Film Critics Society Award Winners". San Diego Film Critics Society. January 11, 2021. Archived from the original on April 20, 2023. Retrieved February 6, 2022.
  78. ^ "2020 StLFCA Annual Award Winners". St. Louis Film Critics Association. Archived from the original on January 2, 2022. Retrieved February 6, 2022.
  79. ^ "Winners Announced for the 25th Annual Webby Awards". Webby Awards. May 18, 2021. Archived from the original on October 22, 2022. Retrieved February 6, 2022.

Further reading

edit
edit